Artworks

Urban Forest Lab, 2016Flowers, grasses, soil8' × 45'
Image credit: Casey Tang, Urban Forest Lab, 2016. Mark Igbinadolor. Design, Courtesy of the Artist.

An agricultural experiment, Tang’s project leaves a lasting mark deep in the soil of Socrates Sculpture Park. In the fall of 2014, the artist began the process of creating a self-sustaining ecosystem on this small plot in the Northeast area of the park. In preparation for the future urban forest, Tang’s first task was to restore the park’s degraded soil by planting cover crops that inject nitrogen into the soil and aerate compacted earth. Once matured, this urban forest unlike a garden will not require constant maintenance.

At once pedagogical and rehabilitative, Urban Forest Lab will leave lasting, although subtle effects, visible to those who observe with care overtime. For Tang, the undulating organic form of the layered forest canopy offers a plane for contemplation, meditation and imaginative projection and in a similar manner to a Zen garden.

About

Located just beyond the park’s North entrance, Casey Tang’s forest garden is a low-maintenance, sustainable agriculture system based off of woodland ecosystems. Forest gardens are typically made up of plant polycultures—plants that occupy an ecological niche in the system. The plants help close the nutrient cycle and attract beneficial insects.

Forest gardens appear in many forms throughout the world from Chagga, Tanzania, to the gardens of the Dai People in China, to the Milpa gardens throughout Mesoamerica, to Satoyama in Japan.

Phase one of this project includes rehabilitating the land by adding soil amendments, organic material and compost, and planting a succession of cover crops.

Phase two of the project will include implementation of a low maintenance, edible landscape mimicking forest ecosystems, using an attractive semi-natural garden aesthetic. The garden will serve as an example of alternative forms of agriculture and food sources, as well as a repository of hard to find edible perennials.

Process & Testimonial

Monday, July 13, 2015 – Many of Socrates Sculpture Park’s visitors may may have noticed a growing row of sunflowers without realizing that they are watching a carefully thought-out miniature ecosystem. Called Urban Forest Lab Project, by New York-based artist Casey Tang, the project at first appears to be a bit of an oxymoron. Not many would consider the planting of a forest to be a lab project, and even fewer would imagine a small landscape of trees and plants in an urban setting when thinking about a “forest.” However, the ongoing work embraces and confronts each aspect of its name.

In September 2011 Tang approached Socrates with a proposal to turn a small stretch of the park’s land into a self-sustaining garden. Since that initial conversation, Tang and the park have collaborated to make it happen, beginning with preparing the soil for housing a variety of plants. The process began with a soil test, which Tang did with the help of Cornell’s Cooperative Extension, a resource for community gardeners and farmers. Once testing showed that the soil was workable, Tang set off to convert the park’s compact, sandy ground into a nutrient-rich foundation.

On a recent afternoon at his emerging forest garden, Tang immediately began analyzing the state of the soil underneath a patch of stunted plants. He pulled a leather sheath from his backpack and drew out a gardening knife to dig into the earth. He sifted the dirt through his fingers to gesture that the soil at this end is sandier and less nutrient rich. As he moved to the other end of the forest, where the sunflowers have grown to stand over five feet tall, Tang held up chunks of dark soil spotted with white flecks. “This is really good,” he said in reference to the white bits, “it’s a fungus that generates nutrients.”

The small ecosystem that Tang is creating is composed of clover, alfalfa plants, sun hemp, turnips, peas, and a towering array of blooming sunflowers. None of these plants exist without purpose. He calls them cover-crops, which work to enrich the soil. The sunflowers’ far-reaching roots pull sustenance from the soil’s depths, and the widespread clover patches convert nitrogen in the atmosphere into nutrients that can be used by plants.

Tang’s interest in forestry and self-sustaining ecosystems began during his anthropological studies at SUNY Purchase. In the years since, he has focused on how a self-renewing system or society can change the power dynamics between residents and large corporations. After Purchase, Tang spent a summer with Dave Jacke, author of Edible Forest Gardens. He lived in an eco-village in Massachusetts, and continued to further his understanding of food cultivation. “Because companies own resources, they are the centralized power that people have to go through. People have to labor for the ability to pay for basic necessities.”

Tang specifies that the difference between garden farming and forest farming is that gardens have to be constantly worked on whereas forests, once they are self-sustaining, can reproduce without much maintenance. In preparation for when his Urban Forest is ready for new species, Tang has put together a meticulous list of eighty-seven different plants that he intends to introduce to the forest. Each plant is accompanied by its native origin, edibility, and root type, amongst identifiers. Out of the long list, he is most excited about bringing in sea kale, a Paw Paw tree, and a North Red Toona Tree—all of which bear edible components. “I want this to be a community resource,” he says of the forest garden.“For me it’s about the freedom that comes with being self-sustainable.”

Biography

Casey Tang (b. 1984, New York, NY): While tapping into diverse disciplines including ecology, musicology, and narratology, Tang puts actions, experiences, objects and installations into works that create liminal areas that re-contextualize and compare systems, information, histories, and paradigms. Recently, Tang has become interested in abstractions of form and narrative as a means of creating disassociation from cultural norms and incorporating non-western worldviews—such as humor and contradictions found in Zen Koans and ritual clowns—and cultural outputs to create and critique new, hybrid worldviews. Casey Tang has a BFA from SUNY Purchase (2006) and has exhibited in the US, Europe, and China. He will participate in “CAFAM Future” Exhibition: Observer-Creator at the Central Academy of Fine Art Museum, Beijing. Most recently he has had a solo exhibition at Charpa Gallery, Valencia, Spain and is working on the Forest Garden Lab Project at Socrates Sculpture Park, Long Island City, NY and First Sounds, Booklyn, Brooklyn, NY. He is a recipient of the 2013 New Vision Award from He Xiangning Art Museum, Shenzhen, China.

Exhibition

May 8 – Aug 28, 2016 LANDMARK